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    In the Gallery June 7 - June 20, 2002
Curated by Emily McVarish & Steve Woodall
 
 


Curator's Statement

Artists
Susan Angebranndt
Kate Godfrey
Rachel Higgins
Maureen J. Hilliard
Jennie Hinchcliff
Ann Marie Hovie
Linda K. Smith
Dina Tooley
Sharon Wynd

 

Ann Marie Hovie
Naked Haiku

Nakedness reveals itself. Nudity is placed on display.
John Berger, Ways of Seeing

Modeling is rigorous and unglamorous work; in the end, the model's work becomes what the artist makes of it, and deservedly takes on a life of its own. In a span of a 1, 5, 20 minutes, the model has to reveal something more of herself than what is on display. Her goal is to engage strangers with the pose--with the aliveness of it-while taming her body into unnatural stillness. I began composing haiku during the longer poses of figure modeling sessions as a way of passing time. During breaks I scribble the memorized lines and counted syllables on scraps of paper. Haiku is the perfect form for writing about modeling: the unadorned, meditative, and disciplined nature of the poetry mirrors the act of modeling. As poet and translator Cid Corman states, "Haiku...is almost throwaway-but savored. Feeling is thought-is livingdying."

My challenge was to make a book of these poems. Everyone knows what figurative art is all about, having seen paintings in museums and art galleries of "nudes." Rarely does a viewer consider the environment in which it was created. If models are given any thought at all, generally it is as the object of a romantic liaison with the artist. Resisting the urge to pair the scrolls with figurative art, I chose to focus more on the momentary thoughts and feelings of the "object" of the painting-to give the reader an experience of the other side of figurative work, the side that is thrown away, savored.

Unique. Materials: satin, rayon, india ink, Xerox transfer, wood.


 

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